I pause to appraise my handiwork and my mind strays to
the two gray eyes staring back at me. Gray, it’s always gray. I don’t need
anyone to tell me whose they are; I’m having trouble withstanding their influence,
it’s so obvious. They’re burning – if gray can be burning – and they’ve already
scalded the insides of my mind.
I sigh and brush the eraser shavings from my desk, but
it can’t change the familiar tilt of the eyebrows in front of me.
There are so many curves to a face: the dip of an
eyelash, the slant of a nose, the slope of a cheek. It never fails to amaze me
how many combinations there are, how many possible ways there are to arrange a
person. Sharp cheekbones, a high forehead. Or maybe a flat nose, with full
lips. Dark eyebrows, bright lips. Sturdy chin, round face. Sketching this
portrait in the cramped space of a motel room with my sadly deformed piece of
charcoal, I’m reminded why I took art in the first place.
The first time I fell in love was high school. At the
risk of sounding stupid, it was one of those instant connections that leave no
doubt what you felt – a spark, a certain electricity. She was the kind of girl
anyone would like: funny, kind-hearted, and absolutely gorgeous. It took a certain
restraint to even gaze upon her. She was a TA in two of my classes and served
as the student body president, taking concert master in the school orchestra
and French club leader besides. Amazing. Perfect.
She was unpretentious, and wholly honest. All the same,
an inexplicable sadness emanated from her. No one else seemed to notice, but I
did, and till the very last days of senior year, I tried to plumb the depths of
her melancholy. I felt somehow that we knew each other, perhaps in the
strangely spiritual way people do when they’ve met in a previous life.
That she even bothered to give me the time of day was
miraculous. I could never understand why she chose me to spend her lunches
with, why she even bothered speaking to me when there were high achievers
flocking her on every end. Yet she would meet me everyday, precisely as the
bell rang, and sit with me where I always ate lunch on the hill.
“Remy,” she told me on one of these days, “there’s
something nakedly pure about you.”
I was in over my head. “What do you mean?”
“I don’t know. You’re just... yourself. You’re not
anyone else.”
“I’m not much,” I said. “I mean, I exist without really
taking part.”
“You should take part. You’re beautiful, I can feel it.”
I drew my knees to my chin and put down my sandwich. I
was determined not to cry at this, no matter how deeply moved I was. That was
the way she made people feel – incomparably special, and invaluable to the
world. I didn’t want to be in love with her, of all the wrong girls I could be
in love with (all of them).
“You’re doing exactly what you want, aren’t you?” She
played with the edge of her skirt, pleating it and then smoothing it down.
“You’re in art classes. And your work is beautiful.”
“Thank you,” I muttered.
She looked at me for a moment, but I couldn’t understand
the emotion behind her gaze. It was surprisingly tender, yet there was a
fierceness that I had never seen from her, as if she had long concealed the
anger that now consumed her.
“Why?” she whispered, and there was such anguish behind
the one word that I couldn’t speak. “Why you?”
“Me?”
She didn’t answer for a moment. I could tell she was
crying from the way her shoulders shook.
“Listen, if it’s something I’ve done to upset you... I’m
sorry. I really am.”
“It’s not that,” she said in a quavering voice. “I just
can’t stand it.”
“Stand what?”
They were large and brown, her eyes. I can trace them
with my fingers, even now, even in my dreams. Doe’s eyes. The reassuring color
of hazelnut.
“This,” she said, leaning in to kiss me.
Her lips were surprisingly firm, molded against mine as
if they belonged there. They tasted of nostalgic regrets and missed sunsets,
the forgotten longing of a child on the brink of becoming too old for
daydreams. She pressed against me urgently, deeply, until I couldn’t tell up
from down. Until all that was left of me was the unshakable sensation of being
drawn out of myself, being kissed and kissed and kissed into being.
She broke off after an eternity, but it felt like an
instant. She left without a word.
I called after her dizzily, scrambling up the hill
again, but she wouldn’t respond.
I dreamt of her that night, more vividly than I ever
had. Of myself, reaching, and of her, walking away. It was the first nightmare
I’d had in a while. The next day, she was gone.
I never found out exactly where she went, or why she
left. The pain behind her steady gaze bespoke more forbearance than I could
fathom, that was certain. For months and even years afterwards, I wondered if
she really did love me, if she had kept it from me all the time because she,
too, was afraid. I later found her name in the papers, though not in the way I
expected. She was on the front page for attempted suicide by drowning. The last
I knew of her were the last words of the article: “She is now seeking treatment
at C— County Hospital.”
I wipe off my grimy hands and decide to make myself a
cup of coffee. Black, and extra strong. What I really want is tea, but I know
it won’t keep me up for the whole night.
The paper is crinkled now, and slightly damp at the
edges where I’ve placed my hands. Suddenly, it’s too much for me – the lifelike
drawing in front of me, the grit of the motel, the tragedy of a girl lost so
long ago to grief unspoken. I tear the drawing in half, crumple one half and
tear it further. To shreds. To particles. Atoms. I wish I could split even
those, make an explosion that will cover the scream I so much want to release.
The other half is still in front of me, and now the eyes
are accusing. I used to draw her eyes because I didn’t know any others, because
they were grottos I wanted to explore. Now they’ve turned into a different pair
of eyes. Gray ones. Gray like the belly of a pigeon, like the air of a snowy
day, the slushy road of almost-spring. Gray.
I’m breathing hard, clutching pieces of paper that no
longer have any meaning. I don’t know what’s going on anymore, goddammit, I’m
laughing and crying all at once, I really think I’m going crazy, and there’s
still these eyes in front of me that I can’t get rid of because they’re in my
head. I can’t stop now; I’m on the slope and it’s all downhill from here.
I see her in my mind’s eye. Imogene. She so resembles her, yet it’s not the hair or the eyes
or even the smile. No; it’s far subtler than that. It’s the way she tucks her
hair behind her ear, the way she looks up when she talks as if there might be
something just above her head that she can’t see, the way she walks, so lightly
she could take off from the ground. I see her laughing, raising her eyebrows,
blushing. I see her smiling. Holding hands with a boy.
Fuck, it hurts. It knocks the wind out of me. It’s my
own fault, I know, but I can’t help it. It’s fucking stupid of me to keep up
this charade, this ironic deception that makes me not who I am. Is it worth it
to give up part of myself so I can be rescued from my solitude? Because that’s
what it is – rescue. There’s nothing noble about my pretense. It’s all about
craving, wanting, needing. Rightness has blurred in my mind; what’s important
now is clawing my way out of the hole I’ve dug for myself, had no choice but to
dig.
I take a fresh sheet of paper from my bag and lay it
flat on the table. It’s nearly 2:00 AM now, and I’m far from tired. It’s
probably the coffee that’s given me this nervous energy to work with. I’m
jittery, and I need to do this, of all things.
There’s no computer here, so I pull out my sketchbook
and find all the male portraits I’ve done recently. My classmate from several
months ago, Greg, an old man I met outside a café, my father. I tear them off
and place them all side by side in front of me. Then, I pick up my charcoal.
I start, as always, with a circle. I make the lines as
unforgiving as possible, as true as I possibly can. The eyes here, the chin
there, the curvature unflattering. Messy hair, cropped short, with thick
eyebrows to match. A crooked mouth and a jutting, ill-formed chin. I make the
lips thin, the nose hooked. Once I’m done, my reflection stares back at me.
Jagged, smudged, but female. Definitely female.
I don’t know why I gave her the picture today, but
already it feels like a mistake. It was too soon, and too strange. Her heart
was too evident in those moments, her eyes too bright.
“Thank you,” she said. She meant more than that, I could
tell. A lot more.
And me? I couldn’t stop grinning like a fucking idiot. I
couldn’t stop looking at the shape of her ear and the flutter of her fingers. I
wanted to draw her again already.
“I want to say something,” I stammered. My mind was
blank. I didn’t know what the hell I was talking about.
“Yes?”
It felt like the world was tilting just slightly. In my
favor or against, I couldn’t tell. It was moving, something was changing. My
pulse must have been off the charts. I could hardly stay put.
“Can I have your number?” I asked, abruptly, stupidly,
irrelevantly.